Leslie’s Art Blog

August 27, 2010

My Moleskine Has Arrived!

  

My Sketchbook Project 2011 Moleskine Cahier notebook arrived in the mail yesterday!

The poor baby arrived with the envelope smooshed open, and the cover a bit distressed.  My immediate concern when I saw the envelope open was that something had fallen out, but it all seems to be there.

Now the “official” Sketchbook Project 2011 begins!

I had purchased a “practice” Moleskine last week, and gave the paper a try.

The paper and the cover material of the new “official” Moleskine are a bit different from the practice Moleskine that I had purchased.  The cover seems softer and the paper maybe a bit more matte and textured.  I believe that will work to the advantage of using colored pencils.

I was anxious to get going on the Project, so before the project notebook arrived, I started making drawings on dark pastel paper with the intent to glue them into the Moleskine once it was here. These are a few of the drawings so far. ..

  

I have done some testing using Mod Podge as a glue and protectant for the art.  It’s great as a glue.  It produces a bit of a glare and some darkening of the Derwent Artists colored pencils when put over the art as a protectant.   The photo of the Mod Podge and test strip, below, is purposely angled to show the glare, and the photo, below, of the test strip by itself shows how the color looks when photographed from a straight on angle. The yellow darkens a bit, but I don’t think it’s going to be ruinous!

 

Mod Podge is extraordinarily durable as a paper protectant. The sketchbook will ultimately be being handled by many people over time, so I’m leaning toward using the Mod Podge and just letting the visual alteration of the art become part of the overall experience of my Sketchbook Project 2011 notebook.

Leslie

   

August 24, 2010

Sketchbook Project 2011

Filed under: Artist materials, Leslie's Art, Work In Progress — leslie @ 12:52 pm

I have signed up to participate in the Sketchbook Project 2011.

At last count, over 13,000 artists are signed up. 

Each artist picks a ‘theme’ from a list, and will be mailed a Moleskine cahier sketchbook to fill with art using that theme.  The artists return the filled sketchbooks to the Art House Co-Op, who then tour the notebooks around the country as a travelling art show.

I was notified by email yesterday that my notebook has shipped, and should be arriving soon.  The theme I have chosen is “Down Your Street”.  I have interpreted the theme to mean “your” street, as opposed to “my ” street, and will utilize Google Maps Street View to find places to draw.

I am trying to be very clever about this, and have picked views from Street View that are near or “down the street” from all of the gallery locations on the Sketchbook Project 2011 Tour.  Pretty clever, huh?  The drawing that illustrates this post, “Across Minna” is a Google Street View that is directly across the street from the gallery at 111 Minna Street in San Francisco, California.

Of course there will be other drawings in the notebook beside the gallery locations, but I thought it would be a good way to start, and would give the notebook viewers something to relate to.

I am not one to draw in sketchbooks. There is something about a new, blank sketchbook that scares the bejeepers out of me.  I have more than a few blank-ish sketchbooks…one or two pages drawn upon, the rest of the book, still pristine. I think having a “theme” to focus on will help me fill this sketchbook.

I don’t particularly care for the way my Derwent Artists colored pencils work on the paper in the Moleskine cahiers notebook that I will receive.

How do I know that, before I receive my notebook?

Well… not being one to like great big surprises, I went to the bookstore last week and purchase a “practice” notebook that is identical to the one I will receive from the Art House Co-Op. I tried some drawings on the Moleskine paper.  It’s OK, but I really like drawing on a dark, textured paper. 

 

I dug around in my paper file and found some dark brown pastel paper, cut it into size, and began making drawings.

I will have to attach  the drawings into the sketchbook, and have experimented with Mod Podge as a glue.   It makes the notebook paper pucker a bit, so there will be a bit more experimenting to come…

I will be posting my drawings on Leslie’s Drawing A Day blog, and on my Flickr.

I hope you’ll check in on me from time to time to see how I’m doing.  Maybe this time I’ll fill a sketchbook…

Leslie

August 18, 2010

Step by Step Colored Pencil Drawing Lake District

Filed under: Artist materials, How To Draw, Step by Step Drawing, Work In Progress — leslie @ 12:19 pm

This post shows  the step by step process of making my drawing “Lake District”.

I used Derwent Artists colored pencils for the drawing, and did it on a 5″ x 7.5″ piece of “Dover” colored Alphamat.  The finished drawing measures 4.5″ x 7″, or approximately 11 cm x 18 cm.

The Derwent Artists colors that I used for this small drawing are:

  • Orange Chrome
  • Zinc Yellow
  • Emerald Green
  • Mineral Green
  • Cobalt Blue
  • Light Blue
  • Imperial Purple
  • Chinese White
  • Chocolate
  • Venetian Red
  • Raw Sienna

I found the location in England, using Google Maps Street View. 

When I locate a scene using Street View, I actually photograph the computer screen with my digital camera of the location I intend to draw.  I have grown so comfortable with my little point-and-shoot Canon, that it’s easier for me to snap a photo of the screen than it is to do a ’screen shot’.

I load the digital photo onto my computer, do some cropping and adjust the color, then print out a copy on inexpensive copy paper of the scene I will draw. 

Then I cut up the copy and trace around the cut out pieces on the Alphamat .  This post gives a description of that part of the process.

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This first drawing shows some of my Chinese White outlines from tracing around the cut out pieces, and the beginning of the filling in process. The colors so far are: Cobalt Blue, Light Blue, Chinese White, Chocolate, Emerald Green, and Venetian Red.

  

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 In this second step, I am adding Chocolate, the dark brown in the trees and details on the barn, but I’m not applying heavy pressure in this step. I am working at getting an overall, light application of each of the colors in their respective locations.  While the general process I use is a “light to dark” application, that refers more to the amount of pressure I use than the actual colors.

I did fill in the bright light area in the center, between the barn and the trees, which is a combination of Zinc Yellow and Chinese White.

At the early stage of my drawings on a darker background, I like to fill in the whites and lights, so there is less chance of me muddying those areas with other colors. I have a tendency to get going on a drawing, having great fun “coloring in”, and not pay attention to where it is actually that I am “coloring in”.   Often I put the wrong color in the wrong place!  Derwent Artists colored pencils, on this texture board, will erase cleanly at this stage, but if I get the whites in first it helps keep me from coloring the parts that should be white or yellow, not purple or brown!

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This is a continuation of light application of additional colors. I have pretty much filled the sky with Chinese White, and have even begun to add a ’second layer’ of Chocolate to parts of the rock wall and the trees. I am starting to add little details, but this is still very much a beginning stage of the drawing. Bits of Orange Chrome in the trees, and spots of Imperial Purple on the stream bank on the left, and on the barn roof.

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At this stage of the drawing, every color that will be in the finished drawing is in its place, so I’m pretty much safe from putting a color in the wrong place! Whew! :)  

 Now I have to concentrate on not making the mountains in the background more color intense that the barn and stuff in the foreground.  I will add more color layers to the mountains, as they are quite colorful, but the overall impression of the mountains needs to be of less color than the foreground to keep them looking like they are off in the distance.

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I have gone back in with the Chinese White to lighten the bright sunny spot in the center of the drawing, and to lighten the mountains and sky. I added more color layers to the mountains… Cobalt Blue and Venetian Red, bits of Imperial Purple.  I added hints of Chinese White to the grassy pasture in the foreground, to indicate clumps of grass and create ‘direction’ to the flat ground.  I added more work to the left-hand side of the drawing, better defining the stream and roadside.  Raw Sienna, Mineral Green and Cobalt Blue were added in the trees.

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This is the finished drawing.  I loved finding this scene in The Lake District of England.  I have never travelled to the UK, and am very appreciative of the ability to “visit” using  Google Maps Street View.

Hope you liked seeing this drawing in process. if you ever have any questions about what I did, send me an email, and I’ll see if I can give an answer.

Leslie

PS   If you have not ever commented on Leslie’s Art Blog before, your comment waits for “approval” first before showing up.  Your comment is not lost, it’s just waiting…

June 9, 2010

Derwent Artists Colored Pencils

Filed under: Artist materials, Leslie's Art — leslie @ 9:44 pm

The Cumberland Pencil Company of Keswick, Cumbria, England, held a contest to select a new artwork design for their tins of 72 Artists colored pencils.

The contest rules described what was to be drawn,  “…the traditional subject for Artists Pencils that has appeared on the front of the packs since their launch in 1938 has always been Ashness Bridge, near Keswick in the Lake District.  Keeping with tradition, the challenge for this competition is to draw Ashness Bridge with Derwent Artists Pencils.”

I am not one to enter contests because if I don’t win  I pout like a spoiled child  I am disappointed.

But I took a chance and entered this contest, feeling uniquely qualified to give it a try because I have been using Derwent Artists colored pencils for my drawings, exclusively, since 1994.

I am very pleased and proud to say that  I was selected as one of the runners-up!

The Cumberland Pencil Company sent me a delicious tin of 72 Artists colors as a prize.  I really like the proper way they are called “colours” on the tin.

And I really like the way the English say they feel “chuffed” when they are pleased and proud.

That’s how I feel.   Chuffed.

Pretty cool, huh?

Leslie

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